En savoir plus
Three sisters have an "impromptu" and re-examine their personal and social problems. Cast of 4 women.
A propos de l'auteur
Michel TremblayOne of the most produced and the most prominent playwrights in the history of Canadian theatre, Michel Tremblay has received countless prestigious honours and accolades. His dramatic, literary and autobiographical works have long enjoyed remarkable international popularity, including translations of his plays that have achieved huge success in Europe, the Americas and the Middle East.
Awards and Recognition*
Prix du Grand (2009)
La Traversée de la ville (Leméac Editeur Inc.)
Blue Metropolis International Literary Grand Prix (2006)
Globe and Mail Top 100 Books (2003)
Birth of a BookwormDora Mavor Moore Award for Outstanding New Play (2000)
For the Pleasure of Seeing Her AgainChalmers Awards (1972, 1973, 1974, 1975, 1978, 1986, 1989, 2000)
Governor General's Performing Arts Award (1999)
Molson Prize for Lifetime Achievement in the Arts (1994)
Louis-Hémon Prize (1994)
Montreal Book Fair Grand Public Prize (1994)
Banff Centre National Award (1992)
Officer of the Order of Arts and Letters of France (1991)
Chevalier of the Order of Quebec (1990)
San Francisco Lesbian and Gay Festival Long-Standing Public Service Award (1989)
CBC Anik Prize (1988)
Athanase-David Lifetime Achievement Prize (1988)
Quebec-Paris Prize (1985)
Chevalier of Arts and Letters of France (1984)
John Van Burek John Van Burek has been a practising theatre artist for over twenty years, in both French and English, throughout Canada. He has also worked in the fields of opera, film and television. He is also one of Canada's leading translators for theatre, most notably of Michel Tremblay's plays, including
Les Belles-Soeurs (Talonbooks). Mr. Van Burek has received several awards and citations for his work, including the Toronto Drama Bench Award for Distinguished Contribution to the Canadian Theatre.
Résumé
Each year, the Beaugrand sisters meet for their sister Yvette’s birthday party—and to have a little “impromptu”—at which they lash out at each other’s personal failures and at the failure of society to support them in their opinions about the world. The four sisters represent the French-Canadian intelligentsia of the fifties, whose interest in art, music, dance and literature is an adopted pose, not their life’s blood. Only one of the Beaugrand siters, Lorraine, has escaped her fate, running off with the Italian gardener to start a family in St. Leonard. The others remain in Outremont, trapped by time; by the choices they have not dared to make; by the position that society has foisted upon them—a position they have accepted, not fought for.
