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Between 1690 and 1715, well over one hundred literary fairy tales appeared in France, two-thirds of them written by women. This 1996 book explores why fashionable adults were attracted to this new literary genre and, integrating socio-historical, structuralist, and post-structuralist approaches, considers how it became a medium for reconceiving literary and historical discourses of sexuality and gender. The first part of the book considers how the marvellous is used to legitimize the genre, to exemplify theories of 'modern' culture, and to reaffirm women's potential as writers. The second part examines how specific groups of tales both reiterate and unsettle late seventeenth-century discourses of love, masculinity and femininity through conventions such as the romantic quest, the marriage closure, chivalric heroes and good and evil fairies.
Table des matières
Acknowledgments; Introduction; Part I. Marvelous Storytelling: 1. Marvelous realities: toward an understanding of the merveilleux; 2. Reading (and) the ironies of the marvelous; 3. The marvelous in context: the place of the contes de fées in late seventeenth-century France; Part II. Marvelous Desires: 4. Quests for love: visions of sexuality; 5. (De)mystifications of masculinity: fictios of transcendence; 6. Imagining femininity: binarity and beyond; Afterword; Notes, Selected bibliography; Index.
Résumé
Between 1690 and 1715, well over one hundred literary fairy tales appeared in France, two-thirds of them written by women. The first part of this 1996 book situates the rise of this genre within the literary and historical context of late seventeenth-century France, and the second part examines the representation of sexuality, masculinity and femininity within selected groups of tales.
