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Informationen zum Autor Michael Saffle is Professor of Music and Humanities in the Department of Interdisciplinary Studies at Virginia Tech. Klappentext Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. Zusammenfassung Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. Inhaltsverzeichnis Using This Research Guide Acknowledgments I. Introducing Wagner II. Surveying Wagner: Compendia and Other Survey Studies III. Researching Wagner: Reference Works of Various Kinds IV. The Documentary Legacy V. Wagner’s Life and Character VI. Wagner as Composer: Studies in Techniques, Styles, and Influences VII. Wagner as Music Dramatist 1: Surveys Studies VIII. Wagner as Music Dramatist 2: The Earlier and Unfinished Operas and Music dramas IX. Wagner as Music Dramatist 3: Holländer, Lohengrin, and Tannhäuser X. Wagner as Music Dramatist 4: Meistersinger, Parsifal, Tristan, and the Ring XI. Wagner as Instrumental and Vocal Composer and Arranger XII. Performing Wagner: Studies of Performance Practices, Productions, and Media Issues XIII. Wagner as Poet, Prose Writer, Philosopher, and Revolutionary XIV. Criticizing Wagner: Wagner’s Critics and the Wagner Reception XV. Wagner and Culture, Past and Present: Literature, Psychology, and the Visual Arts XVI. Wagner and Anti-Semitism XVII. After Wagner: Bayreuth, the Festivals, and Wagner’s Descendents Index
Table des matières
Using This Research Guide
Acknowledgments
I. Introducing Wagner
II. Surveying Wagner: Compendia and Other Survey Studies
III. Researching Wagner: Reference Works of Various Kinds
IV. The Documentary Legacy
V. Wagner's Life and Character
VI. Wagner as Composer: Studies in Techniques, Styles, and Influences
VII. Wagner as Music Dramatist 1: Surveys Studies
VIII. Wagner as Music Dramatist 2: The Earlier and Unfinished Operas and Music dramas
IX. Wagner as Music Dramatist 3: Holländer, Lohengrin, and Tannhäuser
X. Wagner as Music Dramatist 4: Meistersinger, Parsifal, Tristan, and the Ring
XI. Wagner as Instrumental and Vocal Composer and Arranger
XII. Performing Wagner: Studies of Performance Practices, Productions, and Media Issues
XIII. Wagner as Poet, Prose Writer, Philosopher, and Revolutionary
XIV. Criticizing Wagner: Wagner's Critics and the Wagner Reception
XV. Wagner and Culture, Past and Present: Literature, Psychology, and the Visual Arts
XVI. Wagner and Anti-Semitism
XVII. After Wagner: Bayreuth, the Festivals, and Wagner's Descendents
Index
