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Informationen zum Autor John Fawell, a professor of humanities in the College of General Studies at Boston University, has written books on Alfred Hitchcock, Sergio Leone and the studio-era Hollywood film, as well as provided the film commentary for Universal Studio's Blu-ray release of Hitchcock's Rear Window. He lives in Quincy, Massachusetts. Klappentext Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film.While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films-which can often seem dated and unrealistic compared to modern fare-are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form.The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points. Zusammenfassung Offers a means of appreciating classic American movies. This book considers criticism of Hollywood! and gives filmmakers the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. Inhaltsverzeichnis INTRODUCTION Ch.1: WHEN IS CLASSICAL HOLLYWOOD? Ch.2: WHO IS THE ARTIST? Ch.3: WHAT IS A GREAT HOLLYWOOD FILM: THE DIFFICULTY IN ESTABLISHING A HIERARCHY Ch.4: TAKING CLASSIC HOLLYWOOD SERIOUSLY Ch.5: HOLLYWOODS CLASSICISM Ch.6: HOLLYWOOD: AN ART OF SILENCE AND ELLIPSIS Ch.7: HOLLYWOOD, STYLE AND DECORATION Ch.8: THE ARTIFICIALITY OF THE HOLLYWOOD FILM Ch.9: HOLLYWOOD AND SENTIMENT Ch.10: HOLLYWOOD ACTING Ch.11: CHARACTER ACTORS Ch.12: HOLLYWOOD WRITING Ch.13: HOLLYWOOD AND RHYTHM CONCLUSION ENDNOTES BIBLIOGRAPHY ...
