Haydn Studies 2

Showcasing the latest approaches to Haydn and his music, this benchmark volume demonstrates how Haydn scholarship has developed since the turn of this century. It will enrich readers' understanding of Haydn's cultural contexts and reception, as well as including new analyses of a selection of well-known and lesser-known compositions.

Table des matières

1. The many Haydns of musicology Emily Dolan and Matthew Head; 2. Understanding Haydn's 'Il Ritorno di Tobia' through Gassmann's tradition Bruce C. MacIntyre; 3. Listening again to Haydn's nightwatchman W. Dean Sutcliffe; 4. Haydn's last heroine: Hanne, 'The Seasons', and the culture of sensibility Rena Roussin; 5. Framing Haydn's canons: Intersections of music, art and composition in the composer's Kabinett Tom Tolley; 6. Haydn according to Matisse: encountering the composer through 'The Music Lesson', from 1917 to today Sarah Day O'Connell; 7. The premiere of Haydn's 'Orfeo' in Florence (1951)-a Cold War story Caryl Clark; 8. Haydn in the modern instrumental performer's imagination Mary Hunter and A. LeRoy Greason; 9. Admired across the sea': importing late Haydn into early New Zealand Nancy November.

A propos de l'auteur

Nancy November is Professor of Musicology at the University of Auckland. She is the recipient of a Humboldt Fellowship (2010–12); and three Marsden Grants from the New Zealand Royal Society. She recently edited The Cambridge Companion to the Eroica Symphony (2020) and has published on a broad range of chamber music from the nineteenth century. Her book Opera in the Viennese Home from Mozart to Rossini appeared in 2024.

Détails du produit

• Auteurs: Nancy (University of Auckland) November
• Collaboration: November Nancy (Editeur)
• Edition: Cambridge University Press ELT
• Langues: Anglais
• Format d'édition: Livre Relié
• Sortie: 30.09.2025
• EAN: 9781009337144
• ISBN: 978-1-0-0933714-4
• Pages: 300
• Thème: Cambridge Composer Studies
• Catégories: Sciences humaines, art, musique > Musique > Général, dictionnaires; MUSIC / History & Criticism, 18th century, c 1700 to c 1799, Music reviews & criticism, Music reviews and criticism, C 1700 To C 1800, Art music, orchestral and formal music, For higher / tertiary / university education, Western "classical" music