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This book analyses the widespread circulation of Critical Race Theory within academic and popular discourses and its relationship to media studies. It will interest critical race studies, media studies, film, television and cultural studies, ethnic studies, sociology, communication and pop culture.
Table des matières
1. Introduction
PART I: Defining the Debate2. "Critical Race Theory:" The Latest Front in the Defense of White Supremacy
3. When Interests Don't Converge: The Long History of Racism in Hollywood
PART II: Critical Race Theory: Case Studies4. White Organizations' Engagement with Media Coverage of Critical Race Theory
5. Junk Theories: Conservative Christian Media and the Contemporary Political Attack on Critical Race Theory
6. Racializing Childhood: Migrant Children, Critical Race Theory, and Agenda Setting in Public Discourse
7. Digital Intersectional Resistance: Black Women's Responses to Mass Media Attacks
PART III: Critical Race Theory in/and Film and Television8. Everyday White Supremacy: A Method for Detecting Interest Convergence in Film Screenwriting
9. I Would Never Make This About Race: Liberal Racism and White Nostalgia in
Little Fires Everywhere10. Cowboys and Guns: Representation and a Response to Whitewashing the West in Black Western Film
PART IV: Critical Race Theory in/and Contemporary Culture11. Trolling Toni Morrison: Book Banning,
Beloved, and Critical Race Theory
12. My Heroes Have Always Been Outlaws: Rap, Country, and the Making of Racial Meaning
13. "Not Playing the 'White Way'? Black Athletes, Media Treatment and Racial Etiquette"
Index
A propos de l'auteur
Sarah E. Turner is Senior Lecturer in the Department of English at the University of Vermont, USA.
Sarah D. Nilsen is Full Professor in Film and Television Studies at the University of Vermont, USA.
