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Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western--once Hollywood's most popular genre--ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon, Jonathan L. Friedmann applies some of the central questions of Jewish film studies to the Western: What makes a movie "Jewish"? What counts as a "Jewish image" onscreen? What types of Jewish representation are appropriate? How much of a film's "Jewishness" is owed to the filmmakers and how much to the viewer's interpretation?
This volume joins other reconsiderations of outsider and minority representations in Westerns to offer a more nuanced view of the genre. Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable.
A propos de l'auteur
Jonathan L. Friedmann is the president of the Western States Jewish History Association; vice president, academic dean, and director of programs at Ezzree Institute; admissions director and associate professor at the International Institute for Secular Humanistic Judaism; and director of the Jewish Museum of the American West. He is the author or editor of numerous books, most recently J
ewish Historical Societies: Navigating the Professional-Amateur Divide, coedited with Joel Gereboff.
