From Stage to Studio - Performances Versus Recordings in Classical Music

From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.

Table des matières

List of figures
Acknowledgements
CHAPTER 1 From stage to studio
CHAPTER 2 Live performance versus studio recording
CHAPTER 3 In the studio
CHAPTER 4 On the stage
CHAPTER 5 Variable performance traits
CHAPTER 6 Educational applications - Learning to perform in the studio
CHAPTER 7 Final edit - Towards an aesthetic emancipation and some ways forward
Appendices
Bibliography

A propos de l'auteur

Amy Blier-Carruthers is Doctoral Programme Leader at the Guildhall School of Music and Drama, Lecturer in Music Performance (Education) at King’s College London, and Research Fellow at the Royal Academy of Music.

Résumé

From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.

Détails du produit

• Auteurs: Amy Blier-Carruthers, Amy (Royal Academy of Music Blier-Carruthers
• Edition: Taylor & Francis Ltd.
• Langues: Anglais
• Format d'édition: Livre Relié
• Sortie: 27.09.2024
• EAN: 9780367485757
• ISBN: 978-0-367-48575-7
• Pages: 286
• Thème: Routledge Research in Music
• Catégories: Sciences humaines, art, musique > Musique > Général, dictionnaires; Cultural Studies, COMPUTERS / Speech & Audio Processing, SOCIAL SCIENCE / Anthropology / Cultural & Social, MUSIC / Genres & Styles / Classical, MUSIC / Recording & Reproduction, MUSIC / Business Aspects, Social & cultural anthropology, ethnography, Music Industry, Music recording & reproduction, Social and cultural anthropology, Classical Music (C 1750 To C 1830), Classical style, Art music, orchestral and formal music, Music recording and reproduction, Western "classical" music, Audio processing