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This book tells, for the first time, the story of the Situationist International's influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition - as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the 'society of the spectacle.' This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.
Table des matières
CONTENTS
List of Figures
Acknowledgements
Introduction
Chapter One: Surrealism in England, or English Surrealism
Chapter Two: Alexander Trocchi and the Dissolution of the Avant-Garde
Chapter Three: The English Section of the Situationist International
Chapter Four: Long Live King Mob
Chapter Five: British Situationism Today
Index
A propos de l'auteur
ABOUT THE AUTHOR: Sam Cooper is an award-winning Canadian journalist, cited as one of Canada's top investigative reporters. He started with Vancouver Province in 2009, where he started to investigate political corruption and real estate money laundering in Vancouver. Cooper broke the B.C. casino money laundering and "E-Pirate" story in 2017 at the Vancouver Sun and has now filed more than 50 exclusive stories on the widening scandal. Since winning the Jack Webster Award for student journalist at Langara College in 2005, he has won several prizes, including a Canada National Newspaper Award and a Jack Webster Award, for his reporting with the Vancouver Province on abuse of seniors in B.C. care homes. Most recently, Cooper and his Global News reporting team won the Jack Webster 2019 Excellence in Feature/Enterprise reporting - Television for their submission: Casino Diaries
Cooper holds an HBA from the University of Toronto, a Journalism degree from Langara College.
Résumé
This book visits the Situationist International’s influence and afterlives in Britain, from the arrival of Surrealism to Britain, to countercultures of the 50s and 60s, to current directions in Situationist theory and practice. It visits materials including newspaper reports, underground pamphlets, Psychogeographical films, and experimental nove
