Fr. 206.00

Mirror to Nature - Drama, Psychoanalysis and Society

Anglais · Livre Relié

Expédition généralement dans un délai de 1 à 3 semaines (ne peut pas être livré de suite)

Description

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This book brings the insights of psychoanalysis to bear on drama in the western dramatic tradition. The authors seek to show that the subtle understanding of conscious and unconscious emotions achieved by psychoanalytic practice can bring new ways of understanding classic works of drama.

Table des matières










Series Editors' Preface -- Preface -- Introduction: theatre, mind, and society -- Medea: love and violence split asunder -- Ion: an Athenian "family romance" -- Shakespeare's Macbeth: a marital tragedy -- Shakespeare's A Midsummer Night's Dream: further meditations on marriage -- What Ibsen knew -- Chekhov: the pain of intimate relationships -- Oscar Wilde's glittering surface -- Arthur Miller: fragile masculinity in American society -- Beckett: dramas of psychic catastrophe -- Psychic spaces in Harold Pinter's work

A propos de l'auteur

Margaret Rustin is a consultant child and adolescent psychotherapist at the Tavistock Clinic, London, and an Associate of the British Psychoanalytical Society. She has pioneered and supported the extension of training in psychoanalytic observational approaches to training across the United Kingdom and in a number of other countries.Michael Rustin is Professor of Sociology at the University of East London, a Visiting Professor at the Tavistock Clinic, and an Associate of the British Psychoanalytical Society. He has written widely on psychoanalytic approaches to culture and society, including on children's fiction ('Narratives of Love and Loss') and drama ('Mirror to Nature') both with Margaret Rustin. He is also author of 'The Good Society and the Inner World', and is a co-author/editor of the current 'After NeoLiberalism: the Kilburn Manifesto'.

Résumé

This book brings the insights of psychoanalysis to bear on drama in the western dramatic tradition. The authors seek to show that the subtle understanding of conscious and unconscious emotions achieved by psychoanalytic practice can bring new ways of understanding classic works of drama.

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