Fr. 159.90

Matter of Song in Early Modern England - Texts in and of the Air

Anglais · Livre Relié

Expédition généralement dans un délai de 1 à 3 semaines (ne peut pas être livré de suite)

Description

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Table des matières










  • Prologue

  • 1: Airy Forms

  • 2: Breath of Sirens

  • 3: Voicing Lyric

  • 4: Household Songs

  • 5: Sweet Echo

  • Epilogue

  • Works Cited



A propos de l'auteur

Katherine R. Larson is Professor of English at the University of Toronto. She is the author of Early Modern Women in Conversation (Palgrave, 2011) and co-editor of Gender and Song in Early Modern England (Ashgate, 2014), and Re-Reading Mary Wroth (Palgrave, 2015). A former Rhodes Scholar and the winner of the 2008 John Charles Polanyi Prize for Literature, Dr Larson is a member of the Royal Society of Canada's College of New Scholars, Artists, and Scientists.

Résumé

This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.

Texte suppl.

being both a trained soprano and a literary scholar means Larson has learned to read and interpret early modern music not only as a singer expressing herself in the semi-improvisatory context of performance, but also as an academic trained to be analytical about both music and lyrics on the printed page. This combination of skills and experience has encouraged her to develop a scholarly style that acknowledges 'the matter of song' as an evanescent yet powerfully affective force that can nevertheless be subject to interpretative analysis.

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