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A tale of false accusations, social stigma, and adultery,
The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello. Combining elements of Zolaesque naturalism with emerging modernist aesthetics, the novel is notable for its deft use of irony and its resourceful and resilient heroine.
Table des matières
Foreword, Daniela Bini
Translator's Note, Bradford A. Masoni
The Outcast About the Author
About the Translator
About the Contributor
A propos de l'auteur
LUIGI PIRANDELLO (1867 –1936) was an Italian dramatist, novelist, poet, and short story writer who found his first mainstream success with the novel
Il fu Mattia Pascal in 1904. He was awarded the Nobel Prize in Literature in 1934. Pirandello's works include seven collections of poetry, seven novels, hundreds of short stories, and about forty plays.
BRADFORD A. MASONI is a writer, editor, and translator who specializes in literary modernism with a particular focus on the transition from nineteenth-century literary realism into modernism. His most recent work is a scholarly study of
The Outcast entitled
Pirandello Proto-Modernist: A New Reading of “L’eclusa.” He lives in Minnesota.
DANIELA BINI is a professor of Italian and comparative literature at the University of Texas, Austin, where she chaired the Department of French and Italian for eight years. She was named Cavaliere (
Ordine della Stella della Solidarietà Italiana) by the president of the Italian Republic, Giorgio Napolitano, in 2007.
Résumé
A tale of false accusations, social stigma, and adultery, The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello. Combining elements of Zolaesque naturalism with emerging modernist aesthetics, the novel is notable for its deft use of irony and its resourceful and resilient heroine.
