Oxford Handbook of Contemporary Ballet

The Oxford Handbook of Contemporary Ballet looks at the many ways ballet functions as a global practice in the 21st century, providing new perspectives on ballet's past, present, and future.

Table des matières

• Acknowledgments
  


• About the Contributors
  


• Introduction


• On Contemporaneity in Ballet: Exchanges, Connections, and Directions in Form


• Kathrina Farrugia-Kriel and Jill Nunes Jensen
  


• Part I: Pioneers, or Game Changers
  


• Chapter 1: William Forsythe: Stuttgart, Frankfurt, and the Forsythescape


• Ann Nugent


• Chapter 2: Hans van Manen: Between Austerity and Expression Anna Seidl


• Chapter 3: Twyla Tharp's Classical Impulse


• Kyle Bukhari


• Chapter 4: Ballet at the Margins: Karole Armitage and Bronislava Nijinska


• Molly Faulkner and Julia Gleich


• Chapter 5: Maguy Marin's Social and Aesthetic Critique


• Mara Mandradjieff


• Chapter 6: Fusion and Renewal in the Works of Ji%rí Kylián


• Katja Vaghi


• Chapter 7: Wayne McGregor: Thwarting Expectation at The Royal Ballet


• Jo Butterworth and Wayne McGregor
  


• Part II: Reimaginings
  


• Chapter 8: Feminist Practices in Ballet: Katy Pyle and Ballez


• Gretchen Alterowitz


• Chapter 9: Contemporary Repetitions: Rhetorical Potential and The Nutcracker


• Michelle LaVigne


• Chapter 10: Mauro Bigonzetti: Reimagining Les Noces (1923)


• Kathrina Farrugia-Kriel


• Chapter 11: New Narratives from Old Texts: Contemporary Ballet in Australia


• Michelle Potter


• Chapter 12: Cathy Marston: Writing Ballets for Literary Dance(r)s


• Deborah Kate Norris


• Chapter 13: Jean-Christophe Maillot: Ballet, Untamed


• Laura Cappelle


• Chapter 14: Ballet Gone Wrong: Michael Clark's Classical Deviations


• Arabella Stanger
  


• Part III: It's Time
  


• Chapter 15: Dance Theatre of Harlem: Radical Black Female Bodies in Ballet


• Tanya Wideman-Davis


• Chapter 16: Huff! Puff! And Blow the House Down: Contemporary Ballet in South Africa


• Gerard M. Samuel


• Chapter 17: The Cuban Diaspora: Stories of Defection, Brain Drain and Brain Gain


• Lester Tomé


• Chapter 18: Balancing Reconciliation at The Royal Winnipeg Ballet


• Bridget Cauthery and Shawn Newman


• Chapter 19: Ballet Austin: So You Think You Can Choreograph


• Caroline Sutton Clark


• Chapter 20: Gender Progress and Interpretation in Ballet Duets


• Jennifer Fisher


• Chapter 21: John Cranko's Stuttgart Ballet: A Legacy


• E. Hollister Mathis-Masury


• Chapter 22: "Ballet" Is a Dirty Word: Where Is Ballet in São Paulo?


• Henrique Rochelle
  


• Part IV: Composition
  


• Chapter 23: William Forsythe: Creating Ballet Anew


• Susan Leigh Foster


• Chapter 24: Amy Seiwert: Okay, Go! Improvising the Future of Ballet


• Ann Murphy


• Chapter 25: Costume


• Caroline O'Brien


• Chapter 26: Shapeshifters and Colombe's Folds: Collective Affinities of Issey Miyake and William Forsythe


• Tamara Tomi¿-Vajagi¿


• Chapter 27: On Physicality and Narrative: Crystal Pite's Flight Pattern (2017)


• Lucía Piquero Álvarez


• Chapter 28: Living in Counterpoint


• Norah Zuniga Shaw


• Chapter 29: Alexei Ratmansky's Abstract-Narrative Ballet


• Anne Searcy


• Chapter 30: Talking Shop: Interviews with Justin Peck, Benjamin Millepied, and Troy Schumacher


• Roslyn Sulcas
  


• Part V: Exchanges Inform
  


• Chapter 31: Royal Ballet Flanders under Sidi Larbi Cherkaoui


• Lise Uytterhoeven


• Chapter 32: Akram Khan and English National Ballet


• Graham Watts


• Chapter 33: The Race of Contemporary Ballet: Interpellations of Africanist Aesthetics


• Thomas F. DeFrantz


• Chapter 34: Copy Rites


• Rachana Vajjhala


• Chapter 35: Transmitting Passione: Emio Greco and the Ballet National de Marseille


• Sarah Pini and John Sutton


• Chapter 36: Narratives of Progress and Les Ballets Jazz de Montréal


• Melissa Templeton


• Chapter 37: Mark Morris: Clarity, a Dash of Magic, and No Phony Baloney


• Gia Kourlas
  


• Part VI: The More Things Change . . .
  


• Chapter 38: Ratmansky: From Petipa to Now


• Apollinaire Scherr


• Chapter 39: James Kudelka: Love, Sex, and Death


• Amy Bowring and Tanya Evidente


• Chapter 40: Liam Scarlett: "Classicist's Eye . . . Innovator's Urge"


• Susan Cooper


• Chapter 41: Performing the Past in the Present: Uncovering the Foundations of Chinese Contemporary Ballet


• Rowan McLelland


• Chapter 42: Between Two Worlds: Christopher Wheeldon and The Royal Ballet


• Zoë Anderson


• Chapter 43: Christopher Wheeldon: An Englishman in New York


• Rachel Straus


• Chapter 44: The Disappearance of Poetry and the Very, Very Good Idea


• Freya Vass


• Chapter 45: Justin Peck: Everywhere We Go (2014), a Ballet Epic for Our Time


• Mindy Aloff
  


• Part VII: In Process
  


• Chapter 46: Weaving Apollo: Women's Authorship and Neoclassical Ballet


• Emily Coates


• Chapter 47: What Is a Rehearsal in Ballet?


• Janice Ross


• Chapter 48: Gods, Angels, and Björk: David Dawson, Arthur Pita, and Contemporary Ballet


• Jennie Scholick


• Chapter 49: Alonzo King LINES Ballet: Voicing Dance


• Jill Nunes Jensen


• Chapter 50: Inside Enemy


• Thomas McManus


• Chapter 51: On "Contemporaneity" in Ballet and Contemporary Dance: Jeux in 1913 and 2016


• Hanna Järvinen


• Chapter 52: Reclaiming the Studio: Observing the Choreographic Processes of Cathy Marston and Annabelle Lopez Ochoa


• Carrie Gaiser Casey


• Chapter 53: Contemporary Partnerships


• Russell Janzen
  


• Index

A propos de l'auteur

Kathrina Farrugia-Kriel is Head of Research at the Royal Academy of Dance. Farrugia-Kriel is editor of Focus on Education, and her books include Princess Poutiatine and the Art of Ballet in Malta (2020), and her essays have been published in Dance Chronicle, the South African Dance Journal, The Sunday Times of Malta, and in The Oxford Handbook of Shakespeare and Dance. Farrugia-Kriel has organized conferences in London, Paris, and New York, and steered three dance symposia in Australia.

Jill Nunes Jensen is on faculty at Loyola Marymount University. Her research serves as the primary scholarship on Alonzo King LINES Ballet and is published in When Men Dance, Dance Chronicle, Theatre Survey, Perspectives on American Dance: The Twentieth Century, and Re-thinking Dance History, 2nd Edition. As co-editor for Conversations: Network of Pointes with Kathrina Farrugia-Kriel (2015) the idea to curate a special topics conference on contemporary ballet was catalyzed

(New York, 2016) and ultimately this anthology. Nunes Jensen has been an invited speaker on AKLB and Contemporary Ballet, most recently at the San Francisco Ballet and Duke University.

Résumé

In distinction to many extant histories of ballet, The Oxford Handbook of Contemporary Ballet prioritizes connections between ballet communities as it interweaves chapters by scholars, critics, choreographers, and working professional dancers. The book looks at the many ways ballet functions as a global practice in the 21st century, providing new perspectives on ballet's past, present, and future. As an effort to dismantle the linearity of academic canons, the fifty-three chapters within provide multiple entry points for readers to engage in balletic discourse. With an emphasis on composition and process alongside dances created, and the assertion that contemporary ballet is a definitive era, the book carves out space for critical inquiry. Many of the chapters consider whether or not ballet can reconcile its past and actually become present, while others see ballet as flexible and willing to be remolded at the hands of those with tools to do so.

Détails du produit

• Auteurs: Kathrina (Head of Research Farrugia-Kriel
• Collaboration: Kathrina Farrugia-Kriel (Editeur), Jill Nunes Jensen (Editeur)
• Edition: Oxford University Press
• Langues: Anglais
• Format d'édition: Livre Relié
• Sortie: 10.08.2021
• EAN: 9780190871499
• ISBN: 978-0-19-087149-9
• Pages: 1016
• Thème: Oxford Handbooks
• Catégories: Sciences humaines, art, musique > Art > Théâtre, ballet; PERFORMING ARTS / Dance / Classical & Ballet, PERFORMING ARTS / Dance / Modern, PERFORMING ARTS / Dance / Choreography & Dance Notation, Ballet, Contemporary Dance