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This book offers a broad overview of the contemporary state of the Gardzienice theatrical company and its evolution. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
Table des matières
Introduction
PART I: Staniewski speaks: in dialogue 1. Crazyfication: a conversation with W¿odzimierz Staniewski: day one 2. The fertile land: a conversation with W¿odzimierz Staniewski: day two 3. A robber's oath: a conversation with W¿odzimierz Staniewski: day three
PART II: Staniewski speaks: in monologue, lectures and programme notes Introducing the voice of W¿odzimierz Staniewski Director's notes Essays
PART III: Gardzienice: associates speak Cultivating humanities with Gardzienice 1. A history of the Academy for Theatre Practices and stories and revelations concerning the academy's premieres 2.
Cheironomy, or the body that speaks 3. Song, musicality and the choir: a conversation with Marcin Mrowca 4. Against the stereotypes of professional education: an interview with Tetiana Oreshko-Muca 5. One step backwards to return: a conversation with Jan ¿órawski 6. Group collaboration: a conversation with Anna Maria D¿browska 7. An actor in trouble 8. My road to
Gardzienice 9. Perseverance 10. Reciprocity 11. Dynamics
PART IV: Gardzienice: critics speak 1. Pilgrimage, wandering, roving, expedition, road:
Gardzienice, experience of place 2. Expeditions of Konstantin Stanislavsky and W¿odzimierz Staniewski 3. The magician of
Gardzienice 4.
Carmina Burana: the musical structure of myths 5.
Carmina Burana: an attempt to record a performance 6. "Only what is lost can be possessed for ever": the transcendent theatre of
Gardzienice 7.
Gardzienice, the Greeks and Artes Liberales 8.
The Wedding. Wyspiäski - Malczewski - Konieczny: towards an alliance of audience and stage 9. From, between and towards:
Mysteries, Initiations, Kraków, 2000 10. Masters of performative liveness, or celebrating the 40th anniversary of the Centre of Theatre Practices
Gardzienice PART V: From the archive: documents and photographs Memory, archives and archivism: the
Gardzienice Centre for Theatre Practices
A propos de l'auteur
S. E. Gontarski is Robert O. Lawton Distinguished Professor of English at Florida State University, USA. He is a theatre researcher, dramaturg, director and filmmaker who specializes in twentieth-century Irish Studies, in British, U.S. and European Modernism and in performance theory.
Tomasz Wiśniewski is Head of Department of Performing Arts in the Institute of English and American Studies at the University of Gdańsk. He is the founder of the Between.Pomiędzy Festival and the Beckett Research Group in Gdańsk.
Katarzyna Kręglewska is a theatre researcher, literary scholar and translator. She is an Assistant Professor in the Department of Drama, Theatre and Performances at the University of Gdańsk, whose academic interests focus on contemporary theatre and autobiographical traces in literature and art.
Résumé
This book offers a broad overview of the contemporary state of the Gardzienice theatrical company and its evolution. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
