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Collecting case studies, conversations, manifestos, and reflections on the technical and ethical choices that writers and editors face, Track Changes is a rigorous, practical, and supportive guide to art criticism--a mentor in book form. The chapters follow the stages of the editorial process, at each step examining the field's assumptions, foregrounding strategies for solidarity and reparative decision-making, and envisioning an intersectional feminist approach.
A propos de l'auteur
Mira Dayal (she/her) is an Indian American artist, writer, and editor based in New York. She has published extensively in local and international art publications and contributed to numerous exhibition catalogs, most recently for the Hammer Museum's 2023 edition of "Made in LA" and the New Museum's 2022 Triennial. As a critic, she focuses largely on nuanced engagements with emerging and under-represented artists. Josephine Heston (she/her) is a New York City-based queer cultural producer who supports the production of creative projects across art and design. She is a co-founder of rehearsal, a residency for emerging artists and art workers that provides a practice space for developing socially-motivated work, and was formerly editor-in-chief of the Journal of Art Criticism. Previously, she has worked in programming at organizations such as CUE Art Foundation and A.I.R. Gallery, with a focus on developing mentorship programs for emerging and underrepresented artists and writers. She received her degree in Art History with a minor in Architecture from Barnard College.
