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Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of "liberation." How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
A propos de l'auteur
Frank Mehring is professor of American Studies at Radboud University, Nijmegen. He teaches twentieth- and twenty-first-century visual culture and music, theories of popular culture, transnational modernism, and processes of cultural translation between European and American contexts. His publications include
Sphere Melodies (2003) on Charles Ives and John Cage,
Soundtrack van de Bevrijding (2015) and
The Mexico Diary: Winold Reiss Between Vogue Mexico and the Harlem Renaissance (2016). In 2012, he received from the European Association for American Studies the biennial Rob Kroes Award, which recognizes the best book-length manuscript in Europe in American studies, for his monograph
The Democratic Gap (2014). He organized the first international symposium on Winold Reiss in Berlin (2011) and co-curated exhibitions on Winold Reiss (2012), the Marshall Plan (2013), and Liberation Songs (2014) in New York, Nijmegen and The Hague.
Hans Bak is professor of American Literature and American Studies at Radboud University, Nijmegen, the Netherlands, where he directed the American Studies program from 1996-2008. He is the author of
Malcolm Cowley: The Formative Years (U of Georgia P, 1993) and the editor of
The Long Voyage: Selected Letters of Malcolm Cowley, 1915-1987 (Harvard UP, 2014); he is now writing a full-fledged biography of Cowley. His articles on 20th-century American and Canadian fiction, drama, biography, multiculturalism, and the discipline of American Studies, have appeared in leading European and American journals. He was President of the Netherlands American Studies Association (1990-2000) and the Association for Canadian Studies in the Netherlands (2000-2003), Treasurer of the European Association for American Studies (2000-2004), and served on the International Committee and the Committee on American Studies Departments, Programs and Centers of the American Studies Association.
Mathilde Roza is associate professor of American Literature and American Studies at Radboud University, Nijmegen, the Netherlands, where she served as program director for several years. A Fulbright recipient, she engaged in extensive archival research in preparation for a critical biography of American lost generation writer Robert Coates entitled
Following Strangers: The Life and Works of Robert M. Coates (South Carolina University Press, 2011). In addition to American modernism and the international avant-garde, her research focuses on processes of identity formation, cultural diversity, contemporary North American ethnic and indigenous writing, and the interplay between culture and politics.
Contributors are: Hans Bak, Birgit Bauridl, Jorrit van den Berk, Jory Brentjens, Eric Christenson, Linda Christenson, Wolfgang Hochbruck, Wiel Lenders, Walter van de Leur, Doug E. McCabe, Frank Mehring, László Munteán, Josef Raab, Marja Roholl, Joost Rosendaal, Mathilde Roza, Eric Sandeen, Léon Stapper,
