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"More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure, who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness. This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be "the infinitude of the private man," he is nonetheless an intensely social being, who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on-hoping instead for a revolution in consciousness-the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist. Drawing on telling episodes from Emerson's life alongside landmark essays like "Self-Reliance," "Experience," and "Circles," Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old"--
A propos de l'auteur
James Marcus is an editor, translator, and critic who has written and lectured widely on Emerson. His essays and criticism have appeared in leading publications such as
The New Yorker, the
Times Literary Supplement, and
Harper’s Magazine. He is the author of
Amazonia: Five Years at the Epicenter of the Dot.com Juggernaut.
Résumé
An engaging reassessment of the celebrated essayist and his relevance to contemporary readers
More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.
This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist.
Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.
Texte suppl.
"It is the great virtue of Mr. Marcus’s portrait [of Emerson] . . . that he takes his author off the shelf to show just how the writer and man evolved. . . . Mr. Marcus has written a companionable biography, by which I mean he always seems right next to the reader, explaining his approach as he goes along and places himself in relation to his subject. This is biography as an invitation to a conversation, and Mr. Marcus does it so deftly that he never seems intrusive."---Carl Rollyson, New York Sun
