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This book deals with film depictions of Imperial Japan from the time it was a totalitarian power to the productions of recent years. It especially covers wartime depictions, as well as the historical events that inspire the stories behind these productions. In the 1930s, Hollywood gave us the likeable Mr. Moto at the same time Japan was set on its expansionist course. When war broke out, both the Allies and the Axis produced propaganda films that increased hatred for the enemy. In the postwar years as the Cold War took hold, the U.S. government encouraged friendship with their former wartime enemy. This book details correspondence between studio personnel and the Production Code office, as well as the critiques of film reviewers, historians and military figures from both sides of the conflict. Also examined are behind-the-scenes machinations from both the Japanese and American governments in the censorship of controversial film content.
Table des matières
Table of ContentsAcknowledgments
Jobun (Preface)
1. Hirogari (Expansion): 1931-1941
2. Senso (War): 1942-1943
3. Kyoufu (Terror): 1944-1945
4. Heiwa (Peace): 1946-1953
5. Kaibutsu (Monster): 1954-1960
6. Rekishi (History): 1961-1980
7. Kioku (Memory): 1981-2022
Chapter Notes
Bibliography
Index
A propos de l'auteur
Writer, actor and comedian Bob Herzberg is the author of scholarly books and Western novels. He lives in Brooklyn, New York.
Résumé
Deals with the seldom-written topic featuring depictions of Imperial Japan from the time it was a totalitarian power to the productions of recent years. The book especially covers wartime depictions, as well as the historical events that inspire the stories behind these productions.
