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This collection brings together transdisciplinary scholarship on sounds, images, words, and experiences to reflect on extremity's polysemic and polymorphic characteristics.
Table des matières
Chapter 1 - On Extremity: A Manifesto
Nelson Varas-Díaz, Niall Scott, and Bryan Bardine
SOUNDS
Chapter 2 - The Aesthetics of Extreme SoundsNiall ScottChapter 3 - Essential Musicality: Extreme Music and the Sounds of Everyday Life
Ross Hagen
Chapter 4 - Extremities within Extremity: Sisterhood as Strategies of Resistance in the UK Underground Metal Scene
Jasmine Hazel Shadrack
Chapter 5 - Voices for the Voiceless: Animal Rights and Extremity in Extreme Music
Edward Banchs and Anna Chilewska
Chapter 6 - No Satisfaction: Aihiy¿ after The Rolling Stones
Robin Purves
IMAGES AND WORDS
Chapter 7 - Extremity - Art - Decoloniality: Lessons for Survival in the Work of Puerto Rican Artist Rafael Trelles
Nelson Varas-Díaz
Chapter 8 - The Limits of Extremity: The Disappearance and Return of Extremity in Late Capitalism
Jason J. Wallin
Chapter 9 - Seeking the Banality in the Extreme: Prescient Identifiers of Vapid Narcissism in an Era of Post-Truth
Vivek Venkatesh
Chapter 10 - Quixotism and Extremity: Cervantes on Authenticity, Delusion, and Reality Literacy in Early and Late Modernity
Bradley J. Nelson
Chapter 11 - Devil Running Wild: Satan and his Minions in Rosemary's Baby, The Exorcist, and The Omen
Bryan Bardine
EXPERIENCES
Chapter 12 - Rethinking Extremity through Gender Detransition
Sheilla R. Madera and Alíxida Ramos Pibernus
Chapter 13 - Para'o: Exotic Wake, Extreme Performance and Marginality in San Juan, Puerto Rico
Luis Javier Cintrón Gutiérrez
Chapter 14 - Pushing the Limits of the "Darkest" Dark Tourism in the Age of Extremity
Jeffrey S. Podoshen
A propos de l'auteur
Edited by Nelson Varas-Díaz; Niall W.R. Scott and Bryan A. Bardine - Contributions by Bryan A. Bardine; Niall W.R. Scott; Nelson Varas-Díaz; Alixida Ramos-Pibernus; Anna Chilewska; Bradley J. Nelson; Robin Purves; Sheilla R. Madera; Edward Banchs; Jasmine
Résumé
This collection brings together transdisciplinary scholarship on sounds, images, words, and experiences to reflect on extremity’s polysemic and polymorphic characteristics.
