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Zusatztext The broad topics of this interdisciplinary volume aim to break down disciplinary and conceptual silos. By reconciling perspectives of the ear and the eye with other senses, scholars and practitioners put human creative endeavors in environmental, philosophical, sensorial and social contexts. These varied forms of scholarly and social activism, artivism and increasing access for diverse publics all lead to an agenda for change: both for individuals, artistically and conceptually, and for the myriad collective ways that humans dwell on the planet. Informationen zum Autor Sarah Mahler Kraaz is Emerita Professor of Music, Ripon College, USA. She is editor of Music and War in the United States (2017). Charlotte de Mille is Associate Lecturer at The Courtauld Institute, UK, and curates The Courtauld Gallery’s music programme. She is author of Bergson in Britain: Philosophy and Modernist Art (2023), co-editor of Bergson and the Art of Immanence? (2013) and editor of Music and Modernism, c. 1849–1950? (2011). Klappentext This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume. Vorwort A wide-ranging overview of current research on music and art, with an emphasis on social issues. Zusammenfassung This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology, and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate for or about activist activities? How do socio-economic and environmental problems effect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted, and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology; ecomusicology-ecoart-ecomuseology; and digital humanities for art history, musicology, and practice are prioritized in one volume. Inhaltsverzeichnis List of Illustrations Contributors Introduction Charlotte de Mille, The Courtauld Institute, UK, and Sarah Mahler Kraaz, Ripon College, USA Section One: Ways of Perceiving Section Introduction Charlotte de Mille, The Courtauld Institute, UK 1. Art, music and theology in the Lutheran church Margit Thøfner, Open University, UK 2. 'When silence speaks': Sibelius, Music, Landscape Daniel Grimley, University of Oxford, UK 3. Patience between the Arts(From a Mountain of Monumental Waste) Lydia Goehr, Columbia Uni...
