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This musical-philosophical study interweaves music improvisation, composition, and analysis with Deleuze's philosophy of time, plus includes reformulations of Deleuze's concepts. The author draws on his own work alongside examples from the history of music practice in improvised and experimental musics, developing a new concept: Rhythmicity.
Table des matières
Chapter 1: Why Deleuze?
Chapter 2: Philosophy, Music, and Rhythm
Chapter 3: Difference and Repetition via Deleuze and the Deleuzian
Chapter 4: Improvising Difference and Repetition (Project 1)
Chapter 5: Rhythmicity: Difference, Repetition, and the Musical-Philosophical
Chapter 6: The Fold and the Incompossible via Deleuze and the Deleuzian
Chapter 7: In the Garden of the Incompossible (Project 2)
Chapter 8: Rhythmicity: The Fold, the Incompossible, and the Musical-Philosophical
Chapter 9: Deleuze and Chronos and Aion
Chapter 10: The Time Is Out of Joint (Project 3)
Chapter 11: Rhythmicity: Chronos, Aion, and the Musical-Philosophical
A propos de l'auteur
Steve Tromans is a musician (pianist, composer) and an independent scholar working in the fields of practice as research and performance philosophy.
Résumé
This musical-philosophical study interweaves music improvisation, composition, and analysis with Deleuze’s philosophy of time, plus includes reformulations of Deleuze’s concepts. The author draws on his own work alongside examples from the history of music practice in improvised and experimental musics, developing a new concept: Rhythmicity.
