Electronic Dance Music - From Deviant Subculture to Culture Industry

Informationen zum Autor Christopher T. Conner is non-tenure track teaching assistant professor of sociology at the University of Missouri, Columbia. David R. Dickens was professor of sociology at the University of Nevada, Las Vegas for thirty-eight years. Klappentext This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it. Zusammenfassung This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture’s success has undermined in-group solidarity and marginalized those who helped pioneer it. Inhaltsverzeichnis Contents Acknowledgments Introduction Chapter 1. Phase I: Beginnings (1980s-1995) Chapter 2. Phase II: The Rise of the Rave Outlaw (1995-2009) Chapter 3. Phase III: EDM as Culture Industry (2010-2022) Conclusion Appendix: The Rave Act References About the Authors

Détails du produit

• Auteurs: Christopher T. Conner, Christopher T. Dickens Conner, David R. Dickens, Dickens David R.
• Edition: Lexington Books
• Langues: Anglais
• Format d'édition: Livre Relié
• Sortie: 01.03.2023
• EAN: 9781793620392
• ISBN: 978-1-79362-039-2
• Pages: 150
• Thème: Critical Perspectives on Music and Society
• Catégories: Sciences humaines, art, musique > Musique > Général, dictionnaires; Sciences sociales, droit, économie > Sciences sociales en général; Popular Culture, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Popular Culture, MUSIC / Genres & Styles / Electronic, Electronic Music, EDM (Electronic Dance Music), Electronic musical instruments