En savoir plus
2022 Reprint of the 1926 Edition. Exact facsimile of the original edition and not reproduced with Optical Recognition Software. This book deals with a conversion to Catholicism from Protestantism. Naturally, Chesterton owns conversion is the source of much of his knowledge. He traces how he came to question his Protestant convictions and his discovery of the Catholic faith. For Chesterton, two essentials lay at the heart of conversion, and without these, a man misses the point of it all. He describes these in his own words: "One is that he believes it to be solid objective truth, which is true whether he likes it or not; and the other is that he seeks liberation from his sins." That is why Chesterton became a Catholic, and what he describes in his unique and colorful way in this book.
A propos de l'auteur
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
