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The essays in
Gendering the Renaissance offer a nuanced picture of gender in early modern Italian literature and culture through overlapping lenses that bring into focus myriad issues, from race and religion to schooling and storytelling. Read in dialogue with one another, these interventions provide a multifaceted view of currents in gender studies and early modern Italy.
Table des matières
Acknowledgments
Introduction: Beyond the Wall: Gender as Nexus
in Renaissance Italy
Meredith K. Ray and Lynn Lara Westwater Part I Gendering Genre
1 Widows, Lament, and Ottoman Anxieties in Renaissance Florence
Anna Wainwright 2 Unhappily Ever After: Moderata Fonte’s Fairy Tale
Suzanne Magnanini 3 Amerigo Vespucci and African Amazons: Reinventing Italian
Exploration in Baroque Epic Poetry
Nathalie Hester Part II Gendering Identities
4 The Princess Nun: The Familiar Letters of Suor Eleonora d’Este
(1515–1575), Daughter of Lucrezia Borgia
Gabriella Zarri (translated by Giuseppe Bruno-Chomin) 5 A Christian Romance for Married Women: Marriage, Female
Spirituality, and the Pursuit of Saintliness in Antonia Pulci’s
Rappresentazione di Santa GuglielmaEmanuela Zanotti Carney 6 Maestre Pie Venerini and Filippini: Instituting Public Education
for Women in Seventeenth-and Eighteenth-Century Lazio
Jennifer Haraguchi Part III Gendering Sanctity
7 The State of Grace in the
Libro del CortegianoMichael Sherberg 8 Singing Women, Saint Cecilia, and Self-Fashioning
in Seventeenth-Century Rome
Courtney Quaintance 9 “Polemics That Might Seem Spiteful in Heaven”: Female
Spiritual Authority in Arcangela Tarabotti’s
Paradiso MonacaleMeredith K. Ray and Lynn Lara Westwater
Bibliography
Contributors
Index
A propos de l'auteur
Meredith K. Ray is Elias Ahuja Professor of Italian at the University of Delaware. Her books include Margherita Sarrocchi’s
Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy,
Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy, and
Writing Gender in Women’s Letter Collections of the Italian Renaissance. Her translations include
Machiavelli: Political, Historical, and Literary Writings, co-edited with Mark Jurdjevic and, with Lynn Lara Westwater, Arcangela Tarabotti’s
Letters Familiar and Formal and
Convent Paradise.
Lynn Lara Westwater is a professor of Italian at The George Washington University. Her books include
Sarra Copia Sulam: A Salonnière and the Press in Counter-Reformation Venice; with Meredith K. Ray, critical editions of Arcangela Tarabotti’s
Letters Familiar and Formal and
Convent Paradise; and with Diana Robin, a critical edition of Ippolita Sforza’s writing titled
Duchess and Hostage in Renaissance Naples: Letters and Orations.
