Fr. 55.90

Melancholy Lens - Loss and Mourning in American Avant-Garde Cinema

Anglais · Livre de poche

Expédition généralement dans un délai de 3 à 5 semaines

Description

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In The Melancholy Lens, author Tony Pipolo offers new insight into the psychological motivations of avant-garde filmmakers Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, focusing on aspects of their lives that impacted their art.

Table des matières










  • Introduction

  • Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time

  • Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust

  • Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries

  • Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros

  • Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance

  • Afterword

  • Notes

  • Index



A propos de l'auteur

Tony Pipolo is Professor Emeritus of Film and Literature at CUNY, New York. He is also a psychoanalyst in private practice and writes frequently on film for various journals and magazines.

Résumé

In The Melancholy Lens, author Tony Pipolo offers new insight into the psychological motivations of avant-garde filmmakers Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, focusing on aspects of their lives that impacted their art.

Texte suppl.

Pipolo illuminates what is most exhilarating and troubling in films he feels as passionately about as do the most dedicated viewers of American avant-garde film.

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