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"Buffalo. A father's funeral. Memory. In Generations, Louise Clifton's formidable poetic gift emerges in prose, giving us a memoir of stark and profound beauty. Her story focuses on the lives of the Sayles family: Caroline, 'born among the Dahomey people in 1822,' who walked north from New Orleans to Virginia in 1830 when she was eight years old; Lucy, the first black woman to be hanged in Virginia; and Gene, born with a withered arm, the son of a carpetbagger and the author's grandmother. Lucille Clifton tells us about the life of an African-American family through slavery and hard times and beyond, of the death of her father and grandmother, but also of all the life and love and triumph that came before and remains even now. Generations is a powerful work of determination and affirmation. 'I look at my husband,' Clifton writes, 'and my children and I feel the Dahomey women gathering in my bones'"
A propos de l'auteur
Lucille Clifton, introduction by Tracy K. Smith
Résumé
A moving family biography in which the poet traces her family history back through Jim Crow, the slave trade, and all the way to the women of the Dahomey people in West Africa.
Buffalo, New York. A father’s funeral. Memory.
In Generations, Lucille Clifton’s formidable poetic gift emerges in prose, giving us a memoir of stark and profound beauty. Her story focuses on the lives of the Sayles family: Caroline, “born among the Dahomey people in 1822,” who walked north from New Orleans to Virginia in 1830 when she was eight years old; Lucy, the first black woman to be hanged in Virginia; and Gene, born with a withered arm, the son of a carpetbagger and the author’s grandmother.
Clifton tells us about the life of an African American family through slavery and hard times and beyond, the death of her father and grandmother, but also all the life and love and triumph that came before and remains even now.
Generations is a powerful work of determination and affirmation. “I look at my husband,” Clifton writes, “and my children and I feel the Dahomey women gathering in my bones.”
Texte suppl.
"Those qualities—celebration, acknowledgment, recognition—are also abundantly present in Generations. . . In Generations, she tells the uniquely Black and quintessentially American story of her family. . . . Clifton brings a folksy poetry and an economy that amounts to a magic trick." —Clifford Thompson, Commonweal
“Impressive—honest, clear-eyed with a shapeliness natural to poets. . . . In addition to possessing the ease and intimacy of Clifton’s poetry, Generations speaks to, for, and from fictional and posthumous lives—Moses, Medgar Evers, Amazons, Bob Marley, Sleeping Beauty, etc. She is comfortable and knowing about the dead. . . . Lucille is another word for light, which is the soul of ‘enlightenment.’ And she knew it.” —Toni Morrison
"Of great poets whose poems are kin to Clifton’s, I think of Emily Dickinson; to Dickinson’s intense compression Clifton adds explicit historical consciousness. And of Pablo Neruda: Clifton subtracts hyperbole from his elemental clarity.” —Elizabeth Alexander, The New Yorker
“Lucille Clifton helped me hear things—helps all of those who love her work hear things that they would rather ignore.” —Reginald Dwayne Betts
“[Clifton’s] works are explicitly historical and of a palpable present moment.” —The Paris Review
“You can easily see the reflection of [Clifton’s] tight, spare poetry in this exceedingly compact book, which is all the more affecting for its light touch and suggestive sketches of all the American Sayles, including a few of the white ones.” —Kirkus Review
“[Generations] is a song of self. All the defiant joy of [Lucille Clifton’s] verse is present in this family history, beginning with the ancestor who walked cross-country only to be sold into slavery at age 8. For those whose histories were stolen through violence, this is a proclamation of power and resistance.” —Jessica Ferri, Los Angeles Times
“Lucille Clifton is amazing. . . [A] powerful book about looking for family and family roots. . . What is beautiful in [Generations] is the sounds of the voices . . . of family coming through the story.” —Tess Taylor, "All Things Considered," NPR
