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Alain Badiou offers a tour de force encounter with a lesser-known seventeenth-century philosopher and theologian, Nicolas Malebranche, a contemporary and peer of Spinoza and Leibniz. The seminar is at once a record of Badiou's thought at a key moment and a lively interrogation of Malebranche's key text, the
Treatise on Nature and Grace.
Table des matières
Introduction
1. Affects in Configuration: Controversy and Conviviality in Fatih Akın’s The Edge of Heaven and Asghar Farhadi’s A Separation
2. Critical Intensity: Jean-Luc Godard’s and Rainer Werner Fassbinder’s Defamiliarized Worldmaking Practices
3. Genre Assemblages: Affective Incisions in Fatih Akın’s The Cut and Aki Kaurismäki’s Refugee Trilogy
4. Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World
Epilogue: Reconfiguring Resistance
Acknowledgments
Notes
Bibliography
Index
A propos de l'auteur
Alain Badiou is emeritus professor of philosophy at the École normale supérieure in Paris. His Columbia University Press books include Plato’s Republic: A Dialogue in Sixteen Chapters (2015) and Lacan: Anti-Philosophy 3 (2018).
Jason E. Smith is chair of the Graduate Art MFA program at ArtCenter College of Design in Pasadena, California. He has written widely on contemporary philosophy and translated Alain Badiou and Élisabeth Roudinesco’s Jacques Lacan, Past and Present: A Dialogue (Columbia, 2014). He is currently writing a book on automation and work.
Susan Spitzer is a frequent translator of Badiou’s works.
Résumé
Alain Badiou offers a tour de force encounter with a lesser-known seventeenth-century philosopher and theologian, Nicolas Malebranche, a contemporary and peer of Spinoza and Leibniz. The seminar is at once a record of Badiou’s thought at a key moment and a lively interrogation of Malebranche’s key text, the Treatise on Nature and Grace.
Texte suppl.
Malebranche is Badiou’s most richly theological work . . . Like nearly all of Badiou’s writing, it is conceptually difficult and challenging, but immensely rewarding.
