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Zusatztext Reading and re-reading a superb book: Pianos, Toys, Music and Noise: Conversations with Steve Beresford by Andy Hamilton. I recommend it highly for several reasons.It's a dense book filled with information, so it is an excellent resource and reference book, yet thanks to the way Andy Hamilton organised and structured the extensive material it is also a very readable book.Chapters of various conversations followed by short pieces on major players in Steve Beresford's musical life and also short descriptions/statements about them are included and vice versa what they have to say about Steve.It is a multi-faceted book which reflects Steve and hs life in music. With a section of photos I much enjoyed.It is definitive to my mind. And I can recommend it wholeheartedly. Informationen zum Autor Andy Hamilton teaches philosophy, and also aesthetics of jazz, at Durham University, UK. He is the author of Aesthetics and Music (2007) and Lee Konitz: Conversations on the Improviser's Art (2007). With Peter Cheyne and Max Paddison, he is co-editor of The Philosophy of Rhythm (2019). He also contributes to The Wire , Jazz Journal and International Piano . Vorwort A biography of experimental music improviser and Dadaist visionary Steve Beresford, based on first-hand interviews between the author and artist. Zusammenfassung Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay. In this book, Beresford is heard in his own words through first-hand interviews with the author. Beresford provides compelling insight into an extensive range of topics, displaying the broad cultural context in which music is embedded. The volume combines chronological and thematic chapters, with topics covering improvisation and composition in jazz and free music; the connections between art, entertainment and popular culture; the audience for free improvisation; writing music for films; recording improvised music in the studio; and teaching improvisation. It places Beresford in the context of improvised and related musics – jazz, free jazz, free improvisation – in which there is growing interest. The linear narrative is broken up by 'interventions' or short pieces by collaborators and commentators. Inhaltsverzeichnis List of Steve Beresford's Top Tips for Improvisers List of illustrations Foreword by Stewart Lee Introduction Short biography of Steve Beresford 1. Early Life 1950-1974, and Musical Education Martin Mayes 2. The Portsmouth Sinfonia Gavin Bryars 3. Second-Generation Free Improviser Brian Marley, Mike Cooper 4. Derek Bailey5. Company Week 1977 + The Dutch School + Alterations + White String's Eugene Chadbourne, David Toop, Terry Day, David Brown 6. Saxophonists: Evan Parker, Tony Coe, Lol Coxhill Evan Parker 7. Piano, Toy Piano, Toys Chris Burn, Alex Ward, Adam Fairhall 8. Jazz, Free Jazz, And Free Improvisation Rachel Musson 9. Teaching Improvisation10. The 1980s And 90s Kazuko Hohki, Jean Rochard, John Butcher, Paul Hession, Hannah Marshall 11. Film Music (Including Cue Sheets Number One) + Video Artists + Christian Marclay + Visual Art Helen Petts 12. Graphic Notation + John Cage + Classical Music Philip Thomas, Tania Caroline Chen, Mandhira de Saram 13. The Improv Scene + The Audience14. Post-2000 Alan Tomlinson, Elaine Mitchener, Blanca Regina, Leila Adu-Gilmore, Cara Stacey 15. Comedy And Ent...
