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Zusatztext For me! as an animation artist and scholar! the symposium Animafest Scanner represents the best of both worlds: An academic conference with high-calibre international speakers! which is embedded into one of the world's most important artistic animation festivals! Animafest Zagreb. In the reader Global Animation Theory ! this combined spirit is finally transferred into a book that will no doubt have a substantial impact on the steadily growing field of animation studies. Informationen zum Autor Franziska Bruckner is a senior researcher at the Research Group Media Creation at St. Poelten University of Applied Sciences, Austria. Her research focuses on animation history and analysis, animation in AR/VR environments, and climate change communication. Currently, she is the head of the projects VRinMotion (FWF), AniVision (FWF), and Climate Media Frames (GFF NÖ). She has co-edited several books, including Global Animation Theory: International Perspectives at Animafest Zagreb (Bloomsbury 2019) and Filmfestivals, in Theory (2019). Holger Lang is an Austrian researcher, artist and filmmaker, living and working in Vienna, Austria. For over 20 years he has been teaching animation, media arts and aesthetics for an American university at one of their satellite locations in Austria and also their main campus in St. Louis, USA. His artistic focus reaches from abstract and conceptual work to experimental and interdisciplinary projects. Traveling extensively he has been invited to numerous lectures, presentations, conferences and festivals in Europe, the United States and Japan. Holger Lang is organising academic symposia in Vienna and Zagreb and he is curating programs of European and Austrian animation and experimental films for various venues. In addition he is managing and curating an independent gallery in Vienna and for several years he is one of the board members of ASIFA AUSTRIA where he is supporting, promoting and distributing contemporary Austrian animation. His own artistic output in film, experimental animation and fine arts has been shown in solo and group screenings and exhibitions for more than 25 years. Nikica Gili c is an Associate Professor at the Faculty of Humanities and Social Sciences in Zagreb, Croatia, where he teaches history and theory of cinema. He also teaches film theory at Academy of Drama Art in Zagreb and often gives guest lectures in post-yugoslav contemporary cinema and history of cinema, most recently in Regensburg, Germany and Brno, Czech republic. He is editor in chief of Hrvatski filmski ljetopis journal and a member of the editorial boards of online journals Images (Croatia) and Apparatus (Germany). He wrote books Uvod u povijest hrvatskog igranog filma (Introduction to the History of Croatian Film, Zagreb 2010 and 2011), Uvod u teoriju filmske pri ce (Introduction to Theory of Narration in Cinema, Zagreb, 2007) and Filmske vrste i rodovi (Film Genres and Types, Zagreb, 2007, second, online edition 2013). He is the coordinator of Doctoral program in literature, performance arts, film and culture in Zagreb since 2013 and in 2015 he became an Associate Research Fellow at the Graduate School for East and Southeast European Studies (Ludwig Maximilian University of Munich, University of Regensburg). He worked on juries and sellection comittees of several festivals, such as Pula Film Festival, Dani hrvatskog filma, ZagrebDox and Animafest Zagreb. He also studied comparative literature and English in Zagreb, Croatia, where he got his PhD in film studies in 2005. Daniel Šulji c is an animation film director and a musician in Zagreb, Croatia and Vienna, Austria. He studied at the Academy of Fine Arts in Zagreb, and from 1992 to 1998 painting and animation at the University of Applied Arts in Vienna, Masterclass C.L.Attersee. From 2005 to 2008 he was a lecturer of classical ...
