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Darlinghurst Funeral Rites concerns Newcastle-born Mordue in his 20s, from his arrival in Sydney in 1981 to the middle of that decade.
The Australian culture of the time derided tenderness in men. Mordue's vulnerability, receptivity to art and social injustice marked him as an outsider, and the resulting sense of otherness has always informed his work.
Mordue is familiar with profound and contained suffering. In this respect he is, perhaps, one of Australia's truest beat poets, shaped not only by Walt Whitman, John Keats and WH Auden but also by Bob Dylan, Marc Bolan and the Jam, and with everything that entails.
There is an integrity to the looseness [of his poems], a quality of space through which his yearning for love - can be sensed.
-- fr. Antonella Gambotto-Burke, The Australian, reviewed 21 Oct., 2017
A propos de l'auteur
Mark Mordue was born in 1960 & raised in Newcastle, New South Wales, Australia. His teenage years were split between the coastal steel-mining town & growing up in Nhulunbuy, Arnhem Land in the Northern Territory. Mark moved to Sydney in late 1981, where he launched his career as a rock journalist, enmeshing himself in the turbulent inner city music scene of the era, experiences that form the core of Darlinghurst Funeral Rites. Mark later diversified into writing about film, books, art, the outback & global travel. He has been the editor of two national arts, fashion & popular culture magazines (Stiletto and Australian Style), & has lectured in journalism & writing at UTS & the University of Sydney. He is the winner of a 1992 Human Rights Media Award & the 2010 Pascall Prize: Australian Critic of the Year.
