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Table des matières
Series Editors’ Preface -- Preface -- -- Introduction: Fear of music -- Amusia -- Music and the love of the master -- The Marriage of Figaro and Freudian melophobia -- Dance and “condansation”: Che Guevara’s a-rhythmia -- Groundhog Day: the earworm and the love song -- From symptom to synthomy -- The audio unconscious -- Hank Williams’s cough -- From Speaking Beings to Talking Heads -- The Madness of Economic Realism -- Primal scream: dissonance and repetition -- Capitalism and psychosis I: the Nash equilibrium -- Michel Foucault and the beauty of the absolute -- Bach’s Little Fugue -- Decomposing the voice -- American Psycho and Phil Collins -- The Ride of the Valkyries -- Screamadelica -- Flower of hate: the lack in The Beatles -- The murder of John Lennon -- Echo -- Unlistenable -- The braindance of the hikikomori -- The three delusions -- Coda: The hum
A propos de l'auteur
Scott Wilson is Professor of Media and Psychoanalysis at the London Graduate School, Kingston University, London. His books include 'The Order of Joy: Beyond the Cultural Politics of Enjoyment', 'Great Satan's Rage: American Negativity and Rap/Metal in the Age of Supercapitalism', and 'Melancology: Black Metal and Ecology'. He is the editor with Michael Dillon of the 'Journal for Cultural Research'.
Résumé
This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.
