En savoir plus
New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.
Table des matières
Maria Cavalli, Copyist and Teacher - Jennifer Williams Brown
Il ritorno di Poppea: A New German Source Provokes Some New Thoughts-and Old Arguments - Alan Curtis
An Unreported Mantuan Libretto from 1623 - Gary Tomlinson
The Triumph of Inconstancy: The Vicissitudes of a Seventeenth-Century Libretto - Beth Glixon and Jonathan E. Glixon
A Letter on Benedetto Ferrari,
"Eccellentissimo sonator di tiorba" - Dinko Fabris
Recordings of Music Written for St. Mark's: An Architectural Historian's View - Deborah Howard
The Twenty-Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid-Seventeenth-Century Italian Opera - Alvaro Torrente
"Indarno chiedi": Clorinda and the Interpretation of Monteverdi's
Combattimento - Suzanne G. Cusick
The Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in
L'incoronazione di Poppea - Wendy Heller
Baciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven - Andrew H. Weaver
Powerless Spirit: Echo on the Musical Stage of the Late Renaissance - Barbara Russano Hanning
Excavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's
Dialoghi Based on the
Aeneid - Susan Parker Shimp
Music as a
Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer - Robert R. Holzer
Giambattista Marino's Operatic Aesthetics - Giuseppe Mazzotta
Strophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi - Ruth I. DeFord
Cantar ottave, cantar storie - Margaret Murata
Dramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's
Giasone (1649) - Mauro Calcagno
Incitamentum amoris musica [picta] - Prof David Rosand
Selected Bibliography
List of Contributors
Index
A propos de l'auteur
Rebecca Cypess, Beth L. Glixon, Nathan Link