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Informationen zum Autor Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collaborative Research Center (CRC) "Affective Societies" at Freie Universität Berlin, Germany. Theresa Schütz is a theatre scholar and research assistant working in the CRC "Affective Societies" at Freie Universität Berlin, Germany. Sophie Nikoleit is a theatre scholar and research assistant working in the CRC "Affective Societies" at Freie Universität Berlin, Germany. Zusammenfassung Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. Inhaltsverzeichnis List of figures List of tables List of contributors Acknowledgements Funding note Immersion and Spectatorship at the Interface of Theatre, Media Tech and Daily Life: An Introduction Doris Kolesch Part I: Mobile Audiences Unexpected Encounter. On Installation Art as Immersive Space Barbara Gronau Doggies, Masters and the End of the European Union. On Immersive Theatre Installations by SIGNA and Thomas Bellinck Benjamin Wihstutz On the Impossibility of Being Together A conversation between performance artist Signa Köstler and Theresa Schütz Bordering and Shattering the Stage: Mobile Audiences as Compositional Forces Liesbeth Groot Nibbelink Structures of Spectatorship Kerstin Schankweiler Part II: Researching Spectatorship Keep it real A conversation between performance artist Julian Hetzel and Theresa Schütz Participatory Audiencing and the Committed Return Matthew Reason Immersive Art – Immersive Research? Stefanie Husel Parsing ‘Commitment’: The Multiple Valences of Spectatorship Janelle Reinelt The Case for Empirical Audience Research Antje Kahl Part III: Questions of Power – Politics of Affect in Immersive Performances Feminism, Audience Interaction, and Performer Authority Jen Harvie The Promise of Participation Revisited: Affective Strategies of Participation Gareth White Capturing complexity while being pressed for time A conversation between scenographer Mona el Gammal and Theresa Schütz Immersive Guilt Factories Theresa Schütz Dark Immersion. Some thoughts on SIGNA’s Wir Hunde/Us Dogs Rainer Mühlhoff ...
