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First published by Aperture in 1988, At Twelve: Portraits of Young Women is a groundbreaking classic by one of photography’s most renowned artists. At Twelve is Sally Mann’s illuminating, collective portrait of twelve-year-old girls, taken in the artist’s native Rockbridge County, Virginia. The age of twelve brings tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction maintained from the 1988 original publication, “These girls still exist in an innocent world in which a pose is only a pose—what adults make of that pose may be the issue.” The consequences of this misunderstanding can be real: destitution, abuse, unwanted pregnancy. The young women in Mann’s unflinching large-format photographs, however, are not victims. Within this book of portraits, many of which are accompanied by writings of the artist, they return the viewer’s gaze with a disturbing equanimity.
This reissue of
At Twelve has been printed using new scans and separations from Mann’s prints, which were taken with an 8-by-10-inch view camera, rendering them with a quality true to the original edition.
A propos de l'auteur
Sally Mann (born in Lexington, Virginia, 1951) is one of America’s most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Her many books include At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), The Flesh and the Spirit (2010), Remembered Light (2016) and Sally Mann: A Thousand Crossings (2018). In 2001 Mann was named “America’s Best Photographer” by Time magazine. A 1994 documentary about her work, Blood Ties, was nominated for an Academy Award and the feature film, What Remains, was nominated for an Emmy Award in 2008. Her bestselling memoir, Hold Still (Little, Brown, 2015), received universal critical acclaim, and was named a finalist for the National Book Award. Mann is represented by Gagosian Gallery, New York. She lives in Virginia.Ann Beattie has been included in four O. Henry Prize collections. She has received the PEN/Malamud Award for Excellence in the Short Story and the Rea Award for the Short Story, and she was the Edgar Allan Poe Professor of Literature and Creative Writing at the University of Virginia. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She currently lives in Maine, Virginia, and Florida.
Résumé
First published by Aperture in 1988, At Twelve: Portraits of Young Women is a groundbreaking classic by one of photography’s most renowned artists. Aperture is reoriginating it in a masterful facsimile edition that retains the purity of the original.
At Twelve is Sally Mann’s revealing, collective portrait of twelve-year-old girls on the verge of adulthood. To be young and female in America is a time of tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction, “These girls still exist in an innocent world in which a pose is only a pose—what adults make of that pose may be the issue.” The consequences of this misunderstanding can be real: destitution, abuse, unwanted pregnancy. The young women in Mann’s unflinching, large-format photographs, however, are not victims. They return the viewer’s gaze with a disturbing equanimity. Poet Jonathan Williams writes, “Sally Mann’s girls are the ones who do the hard looking in At Twelve—be up to it!”
This reissue of At Twelve has been printed using new scans and separations from Mann’s prints, which were taken with an 8-by-10-inch view camera, rendering them with a freshness and sumptuousness true to the original edition.
