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This book analyzes the exile ontology of Spanish philosopher María Zambrano (1904-1991). Karolina Enquist Källgren connects Zambrano's lived exile and political engagement with the Spanish Civil War to her poetic reason, and argues that Zambrano developed a theory of expressive subjectivity that combined embodiment with the expressive creativity of the human mind. The analysis of recurring literary figures and concepts-such as new materialism, the confession, image, the ruin, the heart, and awakening- show how a comprehensive argument runs as a thread through her works. Further, this book situates Zambrano's thought in a larger European philosophical context by showing how Zambrano's poetic reason was directly related to her unconventional exile readings of Martin Heidegger, Aristotle, Immanuel Kant, and Xavier Zubiri, among others.
Table des matières
1. Introduction.- 2. Homeland (1904-1939).- 3. Spanish materialism, Caribbean expression: Exile in the Caribbean (1939-1952).- 4. Transcending embodiment: Exile in Rome (1953-1964).- 5. The signs of expression: Exile in La Pièce (1964-1984).
A propos de l'auteur
Karolina Enquist Källgren is a post-doctoral researcher in the Department of History, Lund University, and guest researcher in the Department of Literature, History of Ideas and Religion, Gothenburg University. She is part of an editorial team publishing Zambrano’s collected works.
Résumé
This book analyzes the exile ontology of Spanish philosopher María Zambrano (1904-1991). Karolina Enquist Källgren connects Zambrano’s lived exile and political engagement with the Spanish Civil War to her poetic reason, and argues that Zambrano developed a theory of expressive subjectivity that combined embodiment with the expressive creativity of the human mind. The analysis of recurring literary figures and concepts—such as new materialism, the confession, image, the ruin, the heart, and awakening— show how a comprehensive argument runs as a thread through her works. Further, this book situates Zambrano’s thought in a larger European philosophical context by showing how Zambrano’s poetic reason was directly related to her unconventional exile readings of Martin Heidegger, Aristotle, Immanuel Kant, and Xavier Zubiri, among others.
