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The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia : https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.>
Table des matières
Preface
List of contributors
List of abbreviations
Arrangement of the Material
Part I: Social and Cultural Dimensions
Documentation
Popular Music Studies
Social Phenomena
Stylistic and Textual Dimensions
Venues
Part II: The Industry
General Terms
Audio Technical Terms
Broadcasting
Copyright
Deals and Contracts
The Film Industry and Popular Music
Instrument Manufacture
Management and Marketing
Publishing
Recording: Record Corporations; Recording Studios; Record Labels/Companies
Unions
Index
A propos de l'auteur
John Shepherd is Chancellor's Professor of music and sociology, and Dean, Faculty of Graduate Studies and Research at Carleton University, ON. He is a Fellow of the Royal Society of Canada. David Horn was a founding editor of the journal Popular Music (Cambridge University Press, 1981+), and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Other recent publications include two edited volumes: The Cambridge Companion to Jazz (with Mervyn Cooke, 2002), and a special issue of Popular Music in honour of Paul Oliver (2006). Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Paul Oliver is a Fellow of Oxford Brookes University. Center for Popular Music Research, The Humboldt Univeristy, Berlin
Résumé
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.
