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Literary Studies Deconstructed critiques the state of Literary Studies in the modern university and argues for its comprehensive reconstruction. It argues that Literary Studies as currently practised avoids engaging with much of literary experience and prioritises instead the needs of critics as a professional community: to teach and assess students, to demonstrate the creation of knowledge, and to meet the demands of governments, funders and other bodies. The result is that many areas centrally important to lay readers are largely omitted from critical discussion. Moreover, critical writing and its conventions are framed so as to mask and repress the subject's contradictions. This lively and provocative book will be of interest to undergraduate and postgraduate students with an interest in the critical profession or literary theory, as well as to Literary Studies academics.
Table des matières
1. Introduction: The LITMUS Papers.- 2. Not I? Critics versus Readers.- 3. The Uses of Embarrassment: Exploring the Limits of Critical Reading.- 4. Attack of the Zombie Authors: Critics versus Writers.- 5. All Our Own Work: Originality and Creative Writing.- 6. Inconclusion.
A propos de l'auteur
Catherine Butler is Senior Lecturer in English Literature at Cardiff University, where she publishes primarily on children’s literature. As well as writing and editing academic books, she has authored six novels for children and teenagers, and is editor of the journal, Children’s Literature in Education.
Résumé
Literary Studies Deconstructed critiques the state of Literary Studies in the modern university and argues for its comprehensive reconstruction. It argues that Literary Studies as currently practised avoids engaging with much of literary experience and prioritises instead the needs of critics as a professional community: to teach and assess students, to demonstrate the creation of knowledge, and to meet the demands of governments, funders and other bodies. The result is that many areas centrally important to lay readers are largely omitted from critical discussion. Moreover, critical writing and its conventions are framed so as to mask and repress the subject’s contradictions. This lively and provocative book will be of interest to undergraduate and postgraduate students with an interest in the critical profession or literary theory, as well as to Literary Studies academics.
Texte suppl.
“Reading this book as a PhD student, I found Butler’s argument valuable and frightening – more food for the paranoia that seems to be my (our?) bread and butter. … On the bright side, it made me think proactively about co-writing and multi-disciplinary collaboration as challenges to the ingrained privileging of hierarchised, sole-author citations.” (Gabriel Duckels, International Research in Children's Literature, Vol. 13 (1), 2020)
“This is a timely, pertinent book, given how the changes brought about in academic literary studies over the past 25 years have caused the discipline to question its nature and purpose. … Her enterprise is commendable and the book is a worthwhile contribution to the debate on literary studies.” (Richard Bradford, timeshighereducation.com, October, 2018)
Commentaire
"Reading this book as a PhD student, I found Butler's argument valuable and frightening - more food for the paranoia that seems to be my (our?) bread and butter. ... On the bright side, it made me think proactively about co-writing and multi-disciplinary collaboration as challenges to the ingrained privileging of hierarchised, sole-author citations." (Gabriel Duckels, International Research in Children's Literature, Vol. 13 (1), 2020)
"This is a timely, pertinent book, given how the changes brought about in academic literary studies over the past 25 years have caused the discipline to question its nature and purpose. ... Her enterprise is commendable and the book is a worthwhile contribution to the debate on literary studies." (Richard Bradford, timeshighereducation.com, October, 2018)
