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Table des matières
Table of Contents:
List of Figures
ForewordIntroductionAcknowledgements
List of Contributors
Part 1: Home Front
Chapter 1: ‘Picturing’ World War I: German War Bond Posters and the Modern Public
Claire Whitner
Chapter 2: ‘Our lovely countryside’. Capturing the Image of Britain at War in Commercial Advertising, 1939–1945
David Clampin
Chapter 3: Picturing War’s Affects on the Home Front during the First World War
Catherine Speck
Chapter 4: America’s Forgotten Soldier Art: The World War Two Camp Art
Peter Harrington
Chapter 5: Official Art of World War II by British Women Artists: Directing the Gaze
Elizabeth de Cacqueray
Part II: Art, Activism and Resistance
Chapter 6: Strategies of Liberation: Jean Dubuffet’s Métro Series
Caroline Perrett
Chapter 7: Laughter at war
Anna Markowska
Chapter 8: Another Egyptian Revolution: Khayamiya as War Art
Sam Bowker
Chapter 9: Art and Conflict Resolution: Bloody Sunday, Northern Ireland
Maebh O’Regan
Chapter 10: Terms of Engagement: Critical Reflections in Contemporary Canadian War Art
Christine Conley
Part III: Traumatic Memory and Victimhood
Chapter 11: Kārlis Padegs’ Red Laugh – the High Song of InsanityJānis Kalnačs
Chapter 12: Vietnam: Memory of Desecration in Brian dePalma’s Casualties of WarNanette Norris
Chapter 13: The Soldier’s Diary: A Record of Erased Time
Agne Narušytė
Chapter 14: The Fakhouri File: Traumatic Memory in the work of Walid Raad
Anna Rådström
Chapter 15: Polyrhythmics and Migrating Voices
Leonida Kovač
Part IV: Collective Memory and Commemoration
Chapter 16: A Paroxysm of Battle Painting: Adriano de Sousa Lopes and the Great War
Carlos Silveira
Chapter 17: Let There be No More War: Jack B. Yeats’s Grief in Context
Elizabeth Ansel
Chapter 18: Remembering Port-Said 1956: Images of Popular Resistance in Egyptian Documentaries
Rania Abdelrahman
Chapter 19: Visualising an ‘Orphaned’ Nation: Orphan Photographs of the Korean War in Visual Culture
Jung Joon Lee
Chapter 20: A Lost State of Plenitude: Commemorating the Homeland War in Public Spaces in Croatia
Sandra Križić Roban
A propos de l'auteur
Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.
Résumé
This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present.
