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Informationen zum Autor Matthew Pateman is Head of Department of Media at Edge Hill University and Professor of Contemporary Popular Aesthetics Klappentext This book assesses Joss Whedon's contribution to US television and popular culture. Examining everything from his earliest work to his most recent tweets and activist videos, it explores his complex and contradictory roles as both cult outsider and blockbuster filmmaker. Crucially, the book insists on the wider industrial, technological, political and economic contexts that have both influenced and been influenced by Whedon, rejecting the notion of Whedon as isolated television auteur. Using key source material, with exclusive access to drafts of many of the episodes across Whedon's career, as well as unique correspondence with Whedon collaborator Jane Espenson, this book offers unparalleled access to the creative process that helped produce the series Buffy the Vampire Slayer, Angel, Dollhouse and Firefly . Energetic, engaging and informed by detailed scholarship and theoretical rigour, the book is not just an essential addition to the study of Whedon, but a timely and important re-invigoration of television studies in general. Zusammenfassung A comprehensive analysis of Whedon’s role in shaping the twenty-first-century TV landscape, featuring unique access to drafts of scripts and other source material. The book offers both detailed assessments of individual episodes and overarching histories of production. An essential and timely contribution to TV scholarship. -- . Inhaltsverzeichnis Introduction Part I 1 'Buffy is the Slayer. Don't tell anyone': creating a cultural phenomenon: the first three years of Buffy 2 'How do you know what this guy's gonna do?' Producing worlds, changing worlds 1999-20043 'There are so many things I'd like to be': multi-media polymath and rise of mainstream cult 2005-17 Part II 4 'I must say, it's a delightful change to have someone else around who can explain these matters': narrative and genre: the exposition scene in Buffy 5 'I love a story with scope': narratives in Angel : cross overs, complexity and conclusions6 'Come with me now, if you will, gentle viewers': non-Whedon scripted episodes: Jane Espenson, popular culture and authorship7 'Why'd this get so complicated?' Narrative and televisual analysis: a brief excursus using Firefly 8 'I can bring back the world': Dollhouse : narrating the tabula rasaCoda: 'I'm not done baking'Appendix 1: Jane Espenson correspondenceAppendix 2: Definitive guide to Whedon output week-by-weekIndex...
