Fr. 20.90

Flaneuse

Anglais · Poche format B

Expédition généralement dans un délai de 1 à 3 jours ouvrés

Description

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*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay*Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street'Flaneuse [flanne-euhze], noun, from the French. Feminine form of flaneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.'If the word flaneur conjures up visions of Baudelaire, boulevards and bohemia - then what exactly is a flaneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as 'a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk'. Part cultural meander, part memoir, Flaneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flaneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flaneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

A propos de l'auteur










Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.

Commentaire

An uplifting, gender-bending critique of how women negotiate public space Deborah Levy Guardian, Book of the Year

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