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Zusatztext "Perhaps the most theatrical section of the book is "Shakespeare! tradition! and the Avant-Garde in Chiara Guidi's Macbeth su Macbeth su Macbeth" since there is an interview conducted by Sonia Massai and while Chiara Guidi is answering the questions she reveals an innovative approach to Shakespeare and especially to his texts (his words! his language)." -- Necla Cikigil! Middle East Technical University Informationen zum Autor Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow. Chris Stamatakis is Lecturer in English at University College London, UK. Klappentext In this interdisciplinary book, scholars from English literature, Italian studies, performance history, and comparative literature offer new perspectives on the engagements between Shakespeare and Italian theatre, literary culture, and politics, from the 16th to the 21stcentury. Essays address how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare's drama in his own time, and how the afterlife of Shakespeare in Italy has permeated Italian drama, poetry, opera, novels, and film. This book moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose a new, evolving paradigm of cultural interchange. Zusammenfassung This interdisciplinary, transhistorical collection brings together international scholars from English literature, Italian studies, performance history, and comparative literature to offer new perspectives on the vibrant engagements between Shakespeare and Italian theatre, literary culture, and politics, from the sixteenth to the twenty-first century. Chapters address the intricate, two-way exchange between Shakespeare and Italy: how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare’s drama in his own time, and how the afterlife of Shakespeare’s work and reputation in Italy since the eighteenth century has permeated Italian drama, poetry, opera, novels, and film. Responding to exciting recent scholarship on Shakespeare and Italy, as well as transnational theatre, this volume moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose instead a new, evolving paradigm of cultural interchange. Essays in this volume, ranging in methodology from archival research to repertory study, are unified by an interest in how Shakespeare’s works represent and enact exchanges across the linguistic, cultural, and political boundaries separating England and Italy. Arranged chronologically, chapters address historically-contingent cultural negotiations: from networks, intertextual dialogues, and exchanges of ideas and people in the early modern period to questions of authenticity and formations of Italian cultural and national identity in the eighteenth and nineteenth century. They also explore problems of originality and ownership in twentieth- and twenty-first-century translations of Shakespeare’s works, and new settings and new media in highly personalized revisions that often make a paradoxical return to earlier origins. This book captures, defines, and explains these lively, shifting currents of cultural interchange. Inhaltsverzeichnis CONTENTS Acknowledgements Notes on Contributors Foreword, Susan Bassnett Introduction, Enza De Francisci and Chris Stamatakis PART I: Early Modern Period Dialogues and Networks 1. Shakespeare, Florio, and Love’s Labour’s Lost Giulia Harding and Chris Stamatakis 2. A Tale of Two Tamings: Reading the Early Modern Shrew Debate from a Feminist Transnationalist Perspective Celia R. Caputi 3. Shakespeare and the Commedia dell’Arte Robert Henke 4. The Unfinished in Michelangelo and Othello Rocco Coronato 5. Shakespeare and Italian Republic...
