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Translocated Modernisms focuses on the other lost generations of expatriates from modernism's global peripheries-principally but not exclusively from Canada-who travelled to and through Paris in the early to mid-20th century.
Table des matières
Contents
ACKNOWLEDGEMENTS vii
LIST OF ILLUSTRATIONS ix
INTRODUCTION
Emily Ballantyne, Marta Dvo¿rák, and Dean Irvine 1
.
I
A MATTER OF LIFE AND DEATH
1: "Like a spoonful of water in a river": An Appreciation of Mavis Gallant 23
Marta Dvo¿rák
2: The Picnic 43
Mavis Gallant
.
II
PLACES
3: Mansfield, Manoukhin, and International Modernism: Paris 1922 57
Sydney Janet Kaplan
4: "I AM THAT AM I?" Brion Gysin's Art of Unsettled Identities 73
Gregory Betts and Linda Steer
5: The Art of Engraving as Modernist Genre:
David Silverberg at Stanley William Hayter's Atelier 17, Paris 1957 91
Suzanne Bailey
.
ILLUSTRATIONS 109
III
PRACTICES
6: Morley Callaghan as Literary "Heavyweight": Modernism, the New Yorker,
and Contingencies of Cultural Value 125
Nadine Fladd
7: Relational Autobiographies: John Glassco, Authenticity,
Sexuality, and the Lost Generation Memoir 145
Emily Ballantyne
8: Malcolm Lowry's "Lost" Novel: From Paris Stories to
Canadian Ashes to Archival Return 165
Miguel Mota and Paul Tiessen
.
IV
INTERSECTIONS
9: Sheila Watson's Paris Journals and the "Imminent Narrative" 179
Linda M. Morra
10: Equivocal Heaven: Paris, Toronto, and the Divine City
in Wyndham Lewis and Sheila Watson 197
Adam Hammond
11: "through the back door": Roy K. Kiyooka as Errant Modernist 215
Smaro Kamboureli
.
CODA
Altermodernities: Thankfully, We Have Never Been Modern 235
Kit Dobson
.
CONTRIBUTORS 243
INDEX 247
Résumé
Translocated Modernisms focuses on the other lost generations of expatriates from modernism's global peripheries-principally but not exclusively from Canada-who travelled to and through Paris in the early to mid-20th century.