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Informationen zum Autor Charlotte McIvor is a lecturer in Drama and Theatre Studies at the National University of Ireland, Galway in the Centre for Drama, Theatre and Performance. She is the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman). She has published in Modern Drama, Irish University Review, Irish Studies Review and multiple edited volumes on contemporary theatre and performance. Klappentext This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance. Zusammenfassung This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance. Inhaltsverzeichnis Introduction. Towards a New Interculturalism?.- Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.- Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.- Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4. Labour(ed) Relations: Migrant Women and Performative Labour.- Part III. Intercultural Publics.- Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.- Conclusion. The “New Irish”? . ...
Table des matières
Introduction. Towards a New Interculturalism?.- Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.- Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.- Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4. Labour(ed) Relations: Migrant Women and Performative Labour.- Part III. Intercultural Publics.- Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.- Conclusion. The "New Irish"? .
A propos de l'auteur
Charlotte McIvor is a lecturer in Drama and Theatre Studies at the National University of Ireland, Galway in the Centre for Drama, Theatre and Performance. She is the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman). She has published in Modern Drama, Irish University Review, Irish Studies Review and multiple edited volumes on contemporary theatre and performance.
Résumé
This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large.
Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
