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Two interweaving monologues on the sacred and the profane. Cast of 1 woman and 1 man.
A propos de l'auteur
Michel TremblayOne of the most produced and the most prominent playwrights in the history of Canadian theatre, Michel Tremblay has received countless prestigious honours and accolades. His dramatic, literary and autobiographical works have long enjoyed remarkable international popularity, including translations of his plays that have achieved huge success in Europe, the Americas and the Middle East.
Awards and Recognition*
Prix du Grand (2009)
La Traversée de la ville (Leméac Editeur Inc.)
Blue Metropolis International Literary Grand Prix (2006)
Globe and Mail Top 100 Books (2003)
Birth of a BookwormDora Mavor Moore Award for Outstanding New Play (2000)
For the Pleasure of Seeing Her AgainChalmers Awards (1972, 1973, 1974, 1975, 1978, 1986, 1989, 2000)
Governor General's Performing Arts Award (1999)
Molson Prize for Lifetime Achievement in the Arts (1994)
Louis-Hémon Prize (1994)
Montreal Book Fair Grand Public Prize (1994)
Banff Centre National Award (1992)
Officer of the Order of Arts and Letters of France (1991)
Chevalier of the Order of Quebec (1990)
San Francisco Lesbian and Gay Festival Long-Standing Public Service Award (1989)
CBC Anik Prize (1988)
Athanase-David Lifetime Achievement Prize (1988)
Quebec-Paris Prize (1985)
Chevalier of Arts and Letters of France (1984)
John Van BurekJohn Van Burek has been a practising theatre artist for over twenty years, in both French and English, throughout Canada. He has also worked in the fields of opera, film and television. He is also one of Canada's leading translators for theatre, most notably of Michel Tremblay's plays, including
Les Belles-Soeurs (Talonbooks). Mr. Van Burek has received several awards and citations for his work, including the Toronto Drama Bench Award for Distinguished Contribution to the Canadian Theatre.
Résumé
In Damnée Manon, Sacrée Sandra, Michel Tremblay examines the sacred and the profane—their similarities and differences; how they merge and become one another. The play consists of two interweaving monologues on religion and sex spoken by Manon (from Forever Yours, Marie-Lou) and Sandra (from Hosanna). In the end, both characters realize that they have been “invented” by the author.
