En savoir plus
On a Friday morning in a frighteningly well-groomed living room in Scarborough, Lindalou, 31, is packing up to return to Cape Breton after visiting her mother for the first time in five years. When Lindalou's 16-year-old son, Curtis, steps out for a pack of cigarettes and does not return, Lindalou fears the worst, and Curtis' disappearance is the catalyst for a harrowing weekend. The writing of The Weekend Healer, Bryden MacDonald says, began with a desire to explore the ideas of babies raising babies, the definitions of family, the beauty in what is perceived as obscenity, the pagan soul, and the nature of lies. But ultimately The Weekend Healer is about the birth of reluctant heroes in a confused and congested world.
A propos de l'auteur
Bryden MacDonaldBryden MacDonald is a playwright, director, dramaturge, and teacher. His published plays are
Whale Riding Weather, The Weekend Healer, and
Divinity Bash/nine lives. His latest play,
With Bated Breath, premiered at Montreal's Centaur Theatre in April 2009. He has created and directed theatrical interpretations of the words and music of Leonard Cohen (
Sincerely a Friend), Carol Pope & Rough Trade (
Shaking the Foundations), and Joni Mitchell (
When All the Slaves Are Free). He has taught and coached students at The National Theatre School of Canada and McGill University, served as resident dramaturge at Playwrights Workshop Montreal, and was the mentoring director for Imago Theatre's Inaugural Directors' Gym. He has conducted workshops or been artist-in-residence or guest artist at a number of theatres and festivals across the country, including The Stratford Shakespeare Festival, Factory Theatre, and Neptune Theatre. He has sat on juries at The Canada Council and been a member of the board of directors for The Quebec Drama Federation. He is happy to be making his home in Nova Scotia again.
Résumé
On a Friday morning in a “frighteningly well-groomed living room” in Scarborough, Lindalou, 31, is packing up to return to Cape Breton after visiting her mother, Betina, for the first time in five years. Mother and daughter have a turbulent relationship, exchanging refrains of put-downs as a way of avoiding speaking and listening to each other. Lindalou’s 16-year-old son, Curtis, is as much a brother to her: “We grew up together,” she says. When Curtis steps out for a pack of cigarettes and does not return, the young mother fears the worst.
Curtis’ disappearance is the catalyst for a harrowing weekend of hysteria and emotional upheaval. Lindalou’s blistering, smart-mouthed anger wears down to a paralytic terror, while Betina’s blinkered sense of reality, like the plastic cover on her sofa, is ripped away.
The Weekend Healer asks us to question the nature of family, of that much-proffered placebo— “traditional family values”, and of what mothering and fathering are all about.
