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Doyle has a funny problem: he can hear the most intimate details of those around him. Cast of 1 man.
A propos de l'auteur
Originally from Calgary, Alberta, Morris Panych is arguably Canada's most celebrated playwright and director. His plays have garnered countless awards including two Governor General's Literary Awards for drama (for The Ends of the Earth and Girl in the Goldfish Bowl), fourteen Jessie Richardson Awards (Vancouver), and five Dora Mavor Moore Awards (Toronto). Productions of the much-lauded Vigil, Girl in the Goldfish Bowl, Gordon, The Trespassers, and Lawrence and Holloman have been mounted in Canada, the United States, Europe, Asia, Australia, and New Zealand. His plays have been produced in over two dozen languages. He has written twenty-five works for the stage and has directed over a hundred productions across Canada and the United States, including operas and dance.
Mr. Panych makes his home in Toronto. His website is kenandmorris.com.
Résumé
Doyle has a very funny problem: he hears too much. He can hear the most intimate details of the lives of everyone living in his apartment building. He can tell the temperature of a young neighbour’s bath water by the resonance of her pipes; he knows where the old lady’s lost teeth are by the way they rattle in their glass when her appliances turn on; he can hear letters of rejection slip from slackened fingers and settle to the ground like the crashing leaves of autumn.
Doyle blames his hyper-sensitive condition on a physical abnormality, on a birth defect in his ears. But we are not so sure. Paralysing Doyle with a cacophony of detail and minutiae, Earshot offers us the gift of a comic Hamlet—a perfectly dark comedy for the information age.
