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Investigates one of philosophy's ongoing preoccupations-change-articulating its patterns across disciplines and through eras, from Ancient Rome to the Occupy Movement.
A propos de l'auteur
Stephen Collis is the author of over a dozen books of poetry and prose, including
The Commons (2008),
On the Material (2010), winner of the BC Book Prize, and
Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018) - all published by Talonbooks.
A History of the Theories of Rain (2021) was a finalist for the Governor General's Literary Award for Poetry, and in 2019 Collis was the recipient of the Writers' Trust of Canada Latner Poetry Prize.
The Middle is the second volume of a trilogy begun with
A History of the Theories of Rain. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.
Résumé
Somewhere at the core of almost every intellectual discipline is an attempt to explain change – why and how things change, and how we negotiate these transformations. These are among the most ancient of philosophical questions. In this collection of essays, award-winning poet Stephen Collis investigates how the Occupy movement grapples with these questions as it once again takes up the cause of social, economic and political change.
Dispatches from the Occupation opens with a meditation on the Occupy movement and its place in the history of recent social movements. Strategies, tactics and the experiments with participatory democracy and direct action are carefully parsed and explained. How a movement for social, economic and political change emerges, and how it might be sustained, are at the heart of this exploration.
Comprising the second section of the book is a series of “dispatches” from the day-to-day unfolding of the occupation in Vancouver’s city centre as the author witnessed it – and participated in it – first hand: short manifestos, theoretical musings and utopian proposals. The global Occupy movement has only just begun, and as such this book presents an important first report from the frontlines.
Finally, Dispatches from the Occupation closes with a reflection on the city of Rome, written in the shadows of the Pantheon (the oldest continually-in-use building in the world). In something of a long prose-poem, Collis traces the trope of Rome as the “eternal (unchanging?) city,” from its imperial past (as one of the “cradles of civilization”) to the rebirth of Roman republicanism during the French Revolution and the era of modern social movements – right up to the explosive riots of October 2011. Woven throughout is the story of the idea of change as it moves through intellectual history.
