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Zusatztext "By treating the private, discrete narratives of individual figures, this innovative book brings to life the nuances of daily existence and social accommodation in the musical culture of modern Turkish Jews. This refreshing approach provides new insights on topics that have been left unsaid by more conventional narratives about this subject." Informationen zum Autor Dr. Maureen Jackson is a research scholar of Jewish and Ottoman-Turkish Studies based in Seattle, Washington. Klappentext This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today. Zusammenfassung This book traces the mixing of musical styles across 20th and 21st-century Istanbul and argues that the Turkish and Ottoman Jewry formed a single genre. Inhaltsverzeichnis Introduction 1. Mapping Ottoman Music-Making 2. Into the Nation: A Musical Landscape in Flux 3. The Girl in the Tree: Gender and Sacred Song 4. Staging Harmony, Guarding Community 5. Into the Future: Texts, Technologies, and Tradition Epilogue ...
