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Excerpt from The Ballet of the Nations: A Present-Day Morality
For a quarter or so of a century, Death's celebrated Dances had gone rather out of fashion.
Then, with the end of the proverbially bourgeois Victorian age, there set in a revival of taste, and therefore of this higher form of tragic art, combining, as it does, the truest classical tradition with the romantic attractions of the best Middle Ages. In South Africa and the Far East, and then in the Near East quite recently, the well-known ballet-master Death had staged some of his vastest and most successful productions.
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