Fr. 92.50

D. A. Pennebaker - Interviews

Anglais · Livre Relié

Expédition généralement dans un délai de 2 à 3 semaines (titre imprimé sur commande)

Description

En savoir plus

Informationen zum Autor Keith Beattie, Melbourne, Victoria, Australia, is a member of the Faculty of Arts and Education of Deakin University, Melbourne. He is the author of many books, most recently D. A. Pennebaker, and he is the editor of Albert and David Maysles: Interviews (University Press of Mississippi). |Trent Griffiths, Melbourne, Victoria, Australia, is a lecturer in the School of Communication and Creative Arts at Deakin University. He has published on documentary film and is completing doctoral research. Klappentext This wide-ranging and insightful collection of interviews with D. A. Pennebaker (b. 1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, D. A. Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry. Following his early collaborations with Robert Drew on a number of works for television, his feature-length portrait of Bob Dylan on tour in England in 1965 (the landmark film Dont Look Back) established so-called direct cinema as a form capable of achieving broad theatrical release. With Monterey Pop, Pennebaker inaugurated the popular mode of rock concert film (or "rockumentary"), a style of filmmaking he has expanded on through a number of films, including Ziggy Stardust and the Spiders from Mars and Depeche Mode: 101. Pennebaker has always regarded collaboration as an integral part of his filmmaking methods. His long-running collaboration with Richard Leacock and subsequently his work with Chris Hegedus have enriched his approach and, in the process, have instituted collaboration as a working practice integral to American direct cinema. His other collaborations, particularly those with Jean-Luc Godard and Norman Mailer, resulted in innovative combinations of observational techniques and fictional aesthetics. Such films as The War Room, which was about the 1992 Democratic primaries and was nominated for an Academy Award, and the 2009 Kings of Pastry continue to explore the capacities of observational documentary. In 2012 Pennebaker was the first documentary filmmaker to be awarded an Academy Honorary Award by the Academy of Motion Picture Arts and Sciences. Zusammenfassung This wide-ranging and insightful collection of interviews with D.A. Pennebaker (b. 1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day! D.A. Pennebaker has made documentary films that have revealed the world of politics! celebrity culture! and the music industry. ...

A propos de l'auteur










Keith Beattie, Melbourne, Victoria, Australia, is a member of the Faculty of Arts and Education of Deakin University, Melbourne. He is the author of many books, most recently D. A. Pennebaker, and he is the editor of Albert and David Maysles: Interviews (University Press of Mississippi). |Trent Griffiths, Melbourne, Victoria, Australia, is a lecturer in the School of Communication and Creative Arts at Deakin University. He has published on documentary film and is completing doctoral research.

Détails du produit

Auteurs Keith Beattie, Keith Griffiths Beattie, D A Pennebaker, D. A. Pennebaker
Collaboration Keith Beattie (Editeur), Trent Griffiths (Editeur)
Edition University of mississippi pres
 
Langues Anglais
Format d'édition Livre Relié
Sortie 30.03.2015
 
EAN 9781628462029
ISBN 978-1-62846-202-9
Pages 240
Thème Conversations with Filmmakers Series
Catégories Littérature > Littérature (récits) > Correspondance, journaux intimes
Sciences humaines, art, musique > Art > Théâtre, ballet

Commentaires des clients

Aucune analyse n'a été rédigée sur cet article pour le moment. Sois le premier à donner ton avis et aide les autres utilisateurs à prendre leur décision d'achat.

Écris un commentaire

Super ou nul ? Donne ton propre avis.

Pour les messages à CeDe.ch, veuillez utiliser le formulaire de contact.

Il faut impérativement remplir les champs de saisie marqués d'une *.

En soumettant ce formulaire, tu acceptes notre déclaration de protection des données.